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Writing for Children

Do you want to learn how to write a children's book? Make money writing for children's magazines? Since 1969, The Institute of Children's Literature has taught over 470,205 aspiring writers. Listen to the director of both The Institute for Writers and The Institute of Children's Literature and bestselling children's author Katie Davis host the show as she focuses on the craft of writing for children. She talks about how to write a children’s book, how to write for children’s magazines, how to get paid for your writing, and how to get published in the world of kidlit. There are hard-to-find resources, tips, and links included in every week's show notes. And, don't forget to check out the Institute of Children's Literature where you can be paired with a one-on-one mentor and learned to create polished and engaging projects that publishers are looking for in today's children's market.
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Now displaying: July, 2020
Jul 31, 2020

BASIC STORY ELEMENTS

Today, we’re discussing three basic story elements: characters, setting, and theme. Learn how they all work together to help you tell a complete story in this rebroadcast of a popular episode.

 

Jul 24, 2020

INTERJECTING HUMOR INTO YOUR WORK

We constantly hear that agents and editors are looking for humor. If they don’t say “humor” outright, we hear it in words like “quirky” and “whimsical.” So how do you bring humor to your own work? Let’s look at a few different ways and thanks to Andrea Collier for contributing to this episode.

 

Jul 17, 2020

HOW TO WRITE FUNNY

Is laughter really the best medicine?

I don't know, but I do suspect that laughter is a great way to get published. If you spend much time listening to acquiring editors or librarians or agents, you'll soon discover that humor is very much something they desire. Kids love books that make them laugh. Humans, in general, appreciate humor, even in the darkest times.

Unrelenting horror or pain is hard to survive, so being able to step outside it, even a little, to laugh can be life-saving. And readers will appreciate a story that allows them to do that. But for an author to find the way to do that takes a little understanding of how humor works. In this episode, let's talk about how to write funny.

 

Jul 10, 2020

PLAYING FAIR WITH PLOT

Good stories have lots of moving parts. Inspired by an article from our own Jan Fields, this episode challenges us to get all the parts to come together in a way that works.

Many writers understand that a good plot requires giving your main character something to want or need, and that the character then needs to do stuff. A story without action of any kind isn't much of a story and most writers get that pretty early in the process of learning to write fiction.

We also realize early on that a good story eventually fulfills the want or need for the main character. But there's a bit more to it than that, and one additional element is that you must play fair with the reader. Let’s look at what that means.

 

Get a one-on-one mentor to help you write publishable work that agents and publishers are looking for! Get started here!

Jul 3, 2020

INTERVIEW WITH NANCY COFFELT

Author/illustrator Nancy Coffelt began her career as a fine artist, but when she found that the titles of her whimsical works were getting longer and longer AND longer, she dove into picture books.

Her first book, Goodnight Sigmund was published by Harcourt in 1992. Since then Nancy has produced a steady stream of published works including the picture books Dogs in Space, Big, Bigger, Biggest, Fred Stays with Me!, Catch That Baby! and Aunt Ant Leaves through the Leaves. In addition to working with educational, small houses and foreign publishers, Nancy has worked with several big houses including Houghton Mifflin, Scholastic, Chronicle, Little Brown, Holiday House, Henry Holt, Simon & Schuster, and Highlights.

Nancy Coffelt has taught writing to fellow word nerds ages 6 to adult since 1992. Her teaching style has been described as “thoughtful,” “motivating,” and “inspiring.”

In our conversation about humor, we talk about: 

 

  • If different genres are easier to write funny 
  • How to create surprise for humor
  • Monty Python 
  • How to bring heart into humor 
  • If you can you write funny when you’re not funny? 
  • The unexpected in humor 

 

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