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Writing for Children

Do you want to learn how to write a children's book? Make money writing for children's magazines? Since 1969, The Institute of Children's Literature has taught over 470,205 aspiring writers. Listen to the director of both The Institute for Writers and The Institute of Children's Literature and bestselling children's author Katie Davis host the show as she focuses on the craft of writing for children. She talks about how to write a children’s book, how to write for children’s magazines, how to get paid for your writing, and how to get published in the world of kidlit. There are hard-to-find resources, tips, and links included in every week's show notes. And, don't forget to check out the Institute of Children's Literature where you can be paired with a one-on-one mentor and learned to create polished and engaging projects that publishers are looking for in today's children's market.
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Now displaying: Page 1
Jul 3, 2020

INTERVIEW WITH NANCY COFFELT

Author/illustrator Nancy Coffelt began her career as a fine artist, but when she found that the titles of her whimsical works were getting longer and longer AND longer, she dove into picture books.

Her first book, Goodnight Sigmund was published by Harcourt in 1992. Since then Nancy has produced a steady stream of published works including the picture books Dogs in Space, Big, Bigger, Biggest, Fred Stays with Me!, Catch That Baby! and Aunt Ant Leaves through the Leaves. In addition to working with educational, small houses and foreign publishers, Nancy has worked with several big houses including Houghton Mifflin, Scholastic, Chronicle, Little Brown, Holiday House, Henry Holt, Simon & Schuster, and Highlights.

Nancy Coffelt has taught writing to fellow word nerds ages 6 to adult since 1992. Her teaching style has been described as “thoughtful,” “motivating,” and “inspiring.”

In our conversation about humor, we talk about: 

 

  • If different genres are easier to write funny 
  • How to create surprise for humor
  • Monty Python 
  • How to bring heart into humor 
  • If you can you write funny when you’re not funny? 
  • The unexpected in humor 

 

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