AN INTERVIEW WITH HANNAH HOLT
In this rebroadcast, we talk with Hannah Holt, a children’s author with an engineering degree. Her books, The Diamond & The Boy (Balzer+Bray) and A Father’s Love (Philomel) weave together her love of language and science. When not reading or writing, you can find Hannah running marathons and hiking mountains.
We talk about
FOUR WAYS TO LEARN TO LOVE NONFICTION
Many writers view nonfiction as less: less creative than fiction, less fun than fiction, less interesting to kids than fiction, and definitely something they want to do less often. Some will accept the possibility of writing a little nonfiction to break into publishing, but do not like the idea of doing it steadily. For many, they want to do the important work of fiction.
But nonfiction is important. Especially now. Kids love nonfiction, and it's an important teaching tool in support of school curriculum. And nonfiction can offer children something that can help them long after the book is closed: an appreciation of the value of well-researched, accurate facts. That's why we're bringing this rebroadcast to you today.
LAUNCHING A STORY FROM A TITLE
Chances are you fall into one of two camps when it comes to titles: You either love creating them or you dread trying to think up something clever that will catch a reader’s eye. Thanks to Jan Fields, today we’re going to have some fun creating titles. So much fun your new titles just might launch a new story.
TOP THREE NARRATIVE NONFICTION MISSTEPS
Nonfiction is basically broken into two broad types. Expository nonfiction describes, explains, and informs. Narrative nonfiction uses story elements to convey a factual experience. Narrative nonfiction tells a story through carefully researched, factual recounting. Not all nonfiction books are strictly expository or strictly narrative. Some in fact contain both, but for now, Jan Fields has given us a lead on common missteps when writing narrative nonfiction.
INTERVIEW WITH A CONTEST JUDGE
In this rebroadcast, we interview frequent ICL contest judge and longtime instructor Nancy Coffelt. As well as being a multi-published picture book author and illustrator, Nancy is a fine artist and has been showing in galleries across the country since 1984. Her work is included in personal, public and corporate collections around the world. Nancy also writes and illustrates books for children. Her books include Catch That Baby, Fred Stays with Me, and The Big Eclipse.
TIPS FOR YOUR WRITER WEBSITE
Every author needs a website—yes, even if you're not published yet. In the Internet age, your website acts as your online business card for readers and even prospective agents and editors.
In this rebroadcast, we discuss tips for keeping your website user friendly and keeping them coming back for more.
5 QUESTIONS ABOUT AUTHOR PLATFORM
A while back I sent out a one-question survey. Writers could submit any one question about author platform and marketing. I learned a ton from reading all the questions that were submitted, but there were definitely some common themes. Today, we’re diving into the five most common questions writers have as they start building their platform.
INTERVIEW WITH VICTORIA BOND
Victoria Bond is a writer and professor. Her novel, Zora and Me, co-written with T.R. Simon, won the John Steptoe/Coretta Scott King Award for New Talent and was nominated for an Edgar Award in the category of Juvenile Fiction, as well as being a Junior Library Guild Selection. Victoria holds a MFA in poetry. The occasional essayist on issues both personal and political, she teaches first year writing at John Jay College, The City University of New York.
WE TALK ABOUT
FINDING YOUR CHILDLIKE VOICE
Voice is the number one thing that can make or break your children’s story. So, let’s see how to find a childlike voice that appeals to your audience. Readers love dialogue. It lightens the page, making the whole story feel easier to read. It allows us to hear the characters directly, helping us to know them. And it is often the best place to sprinkle in some tasty humor. Unfortunately, it's also one of the quickest ways to lose the reader. In this rebroadcast, we're discussing three ways to find your character's childlike voice.
AUTHENTIC KID VOICES
A while ago on the Institute's Facebook page, someone was asking about dialogue, which made me think again about this important writing tool. Readers love dialogue because it makes a scene and a character come to life. Dialogue puts us into a specific moment within a story and that's a powerful thing for readers. But many writers struggle with dialogue and with making it feel lively, purposeful, and real. So what should you do first in the pursuit of good dialogue?
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INTERVIEW WITH MAGGIE TOKUDA-HALL & JAMIE TAN
Katie interviews award-winning author Maggie Tokuda-Hall and Candlewick Senior Publicist Jamie Tan about Maggie's latest book THE MERMAID, THE WITCH, AND THE SEA.
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ACTIVE AND PASSIVE VOICE
Voice can be a tough thing to define and a tougher thing to master, but when I ran across this article about active voice and passive voice from my old friend Mary Rosenblum I knew I had to share it with my listeners. See how you can improve your active voice with these tips and take your work to the next level and beyond.
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INTERVIEW WITH TALIA BENAMY
Talia Benamy is an associate editor at Philomel Books (an imprint of Penguin Young Readers), where she focuses on everything from picture books to middle grade and young adult novels. She has worked on books by Chelsea Clinton, Sonia Sotomayor, Temple Grandin, Jane Yolen, Abigail Harrison, Lisa Graff, Ruta Sepetys, Dev Petty, Sarah Brannen, and Terry Border. She sees books as having the amazing power to shape kids’ worldviews, and looks for manuscripts that have the potential to do just that. In this rebroadcast, we talk about:
THINGS THAT MAKE EDITORS CRINGE
Nobody wants to make an editor (or anyone) cringe when they read your manuscript. Inspired by a post from Jamie K. Schmidt, we’re covering 10 things that make editors cringe with tips to avoid them. Be sure to head to writingforchildren.com/231 to download the show notes because many of these tips will be easier to see in writing.
Everybody knows to use spellcheck or Grammarly when going over their writing. However, the following mistakes aren’t generally caught by these two programs. And if you want to stop an editor’s eyes from rolling to the back of her head, you should check your writing for the errors we're talking about today.
INTERVIEW WITH AGENT ADRIA GOETZ
Adria Goetz is a Literary Manager with Seattle-based Martin Literary & Media Management. She primarily represents picture books, middle grade, young adult, Lifestyle books, quirky gift books, as well as everything under the Christian umbrella.
WE TALK ABOUT:
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SUBMISSIONS
It’s the beginning of a new year. A time that we as writers like to set goals for our writing success and dream about what our writing career will look like next year at this time. Maybe one of your goals this year is to submit your work to agents or editors. It can seem like a Herculean task, but like the old joke goes, how do you eat an elephant? One bite at a time. In this episode, based on an article from our own Jan Fields, we’re going to talk about what you should worry about most in your submissions and when it’s okay to press the send button.